So thank you! I definitely will keep looking much harder now. Thanks for all the other info, I downloaded PD and will start experimenting soon.do you have any info about the Moog String Filter or other interesting filter banks I could experiment with?įor the Logan Vocalist, I did all my work by ear and using Praat but I DO have the service manuals, I was just waiting for a friend of mine to read it and check the filters.but if you are able to, then I attach the service manual here, hoping you can share what you can get from it?Īs someone who has been interested in the fs1r for a long time, but still hasn't managed to procure one for a decent price or condition, this thread is mouthwatering! :-) My favorite string synth that I've used is the Technics SX-K450.Never tried the Technics.time to check some videos! I made the VP-330 filters, a morphing vocal formant filter thing, a randomized filter bank, and some variations on the Moog String Filter.ĭo you know what the filter frequencies are for the Logan? I don't have a service manual for it.Īlso it shouldn't be hard to to add an external input to anything with a string ensemble chorus. It's certainly not hard if you want to make filter banks. Not really, I just read about Harald Bode.

You can see these in pretty much every electroacoustic studio, and they were used on virtually everything recorded in these studios in the 1960s and 70s. The parametric equalizer is the Klein + Hummel UE-100. This is different from a graphic equalizer because the bands attenuate all the way to -∞, and it should considerably modify the signal when all the bands are turned up (as opposed to a graphic equalizer, which uses peaking filters that have no effect when they're at unity gain).

The filter bank is the Albiswerk 502/74 (or 502/50) and 502/72 (this extends the range of the low and high frequencies). I figured out what they were called again.

Technics k350 manual